Thursday, April 15, 2010

Classic Arcade Game Smack-Off (Part 1)

Since my previous postings regarding the 80s Movie Smack-Off revealed how far I am willing to travel into the dork forest, I figured why not do a similar tournament to discover what the best classic arcade game was. If you thought the previous contest was lame, you'll agree that this one pegs the dials on the nerdometer.

The rules are the same as before, the logic follows that of the NCAA basketball tournament. I chose 64 of the best and most popular classical era arcade games, seeding them from 1 to 16 across four brackets. Games compete head to head and are eliminated round by round until one is left standing. You know how it works. I avoid basketball analogies in the descriptions (which would be a bit stale at this point) and simply focus on the games. Here's round 1 for bracket 1 (let's call it the "Starcade" bracket).

Bracket 1 (Starcade Bracket)
1. Donkey Kong
16. Battlezone

8. Crystal Castles
9. Phoenix
5. Asteroids
12. Kangaroo

4. Missile Command
13. Robotron 2084

6. Dragon's Lair
11. Jungle Hunt

3. Gauntlet
14. Marble Madness

7. Zaxxon
10. Pengo

2. Defender
15. Star Castle
Round 1 Results: Starcade Bracket

The 1 vs. 16 seeds pit the venerable Donkey Kong against Battlezone. Donkey Kong is one of the most popular games ever, spawning Mario and the myriad Super Mario franchises. Battle zone was one of the first vector games, and featured a unique interface (the player stood on a platform and looked through a viewfinder). Yes, you looked like a complete dork playing Battlezone, but you were probably so scared of being hit by an enemy tank that you didn't care. The crescent moon in the back ground and the pyramids added to the experience, even though the graphics were extremely simple. The cool dual joysticks let you make turns similar to a real tank, but alas the game was very difficult. A quarter never lasted me more than a few minutes. Donkey Kong is far superior; it beats Battlezone easily.

The 8/9 match up is between Crystal Castles and Phoenix. Crystal Castles was great; Bentley Bear was a fun character, and there were enemies like gem eaters, walking trees, a wicked witch, and those awful fucking bees. Crystal Castles was one of the more stressful games; you never seemed to be able to collect gems fast enough to keep the bee swarm at bay, and most players couldn't achieve more than a few levels. Phoenix was fun too; it's similar to Gorf in many ways, offering multiple screens with different challenges. Those crazy birds that split in two when shot were cool, and the sounds were captivating. This is a close match up, but Crystal Castles wins due to the "cute" factor of the characters, plus the unique game play featuring a roller ball.

Asteroids vs. Kangaroo make up the 5/12 match up. Kangaroo is a bit obscure, but was a fun game similar to Donkey Kong Jr.. You were a kangaroo who had to save her kid by punching out evil monkeys. Multiple screens and challenging game play made it enjoyable. Asteroids is a vintage video game, enjoying almost as much fame as Pac-Man or Frogger. Asteroids is far simpler than Kangaroo, but it wins here because of how hard it was, and the ominous two-toned music that increased in tempo as more asteroids threatened your space ship. Your kids think they're good at X-Box? Let them play Asteroids and have the Kleenex ready.

The 4/13 seed is between Robotron 2084 and Missle Command, two early 80s contenders. Robotron is underrated. It is a perfect game. Two joysticks and no buttons, Robotron offers lunatic fringe speed and insanity. From the first screen, enemies come at you fast and furious. The game is relentless. There is no time to rest; the 3 second breather between screens only increases your fear as you realize "Oh shit, it's another Brain level." Missile Command is classic too. It is not as intense as Robotron at first, but it gets hairy soon enough. When you realize that the missiles come at you from all angles and at different speeds, you are almost relieved when you lose. Both games are extremely stressful, but Robotron is better. I am confident that the worlds' wars from now on should be settled with Robotron tournaments. The nation who is best at Robotron deserves to win. It's another game I would love today's youth to endure; You think Guitar Hero is tough? Your mom can play Guitar Hero. Robotron shits in Guitar Hero's pants and makes Rock Band change the diaper.

Dragon's Lair and Jungle Hunt are the 6/11 match up. These games are polar opposites. Dragon's Lair is a laser disc game that features cartoon like graphics not seen in its day; Jungle Hunt is an early 80s game featuring four levels and simple graphics. Dragon's Lair seems like the obvious choice here, but the gameplay was fairly simplistic and not very challenging. All you needed to do was memorize the correct sequence of joystick commands and get the timing right. A player capable of beating Dragon's Lair seemed impressive to onlookers, but the graphics were really what was impressive. Jungle Hunt is relatively difficult, especially as you move past the first four screens. It is one of those games whose controls never seem to allow you enough finesse to evade the enemies at hand, and timing is crucial. It wins this match up in an upset, because it is truer to what a video game should be than Dragon's Lair.

The 3/14 seeds are Gauntlet and Marble Madness. This match up is a massacre; Gauntlet wins easily. Not that Marble Madness is bad, it's a unique and fun game. It's really hard though (I could only complete four or five levels on a good day), and you needed to be quick with a track ball. When Gauntlet was released it was completely original. Four players could play simultaneously, and it seemed to feature endless levels. Gauntlet did a consummate job targeting dungeons & dragons dorks, and it had to be the most ingenious game of its time for making money, as it featured "health" rather than "lives." Your character received a fixed amount of health points for each quarter (usually 600), and you could add additional health any time you wanted. Guess what? You could pump five bucks into a Gauntlet machine pretty damn quick. Those white ghosts just sucked your paper route money away, 3o+ points at a time. Those of us who spent more than $100 on Gauntlet have "Wizard shot the food" and "Valkyrie is about to die" permanently burned in our memory banks. The marble cracks here; Gauntlet falls down the exit to the second round.

The 7/10 contestants are Zaxxon and Pengo, both relatively popular games. Let's get it out of the way: I hated Zaxxon. The graphics were OK and it seemed cool, but this is one game I never could figure out. It was a 3D scrolling game, and I never could avoid crashing into the wall. And then there is that stupid heat seeking missile I always hit. I sucked at Zaxxon more than any other game. Regardless of my biased opinion on Zaxxon, Pengo is easily the better game. It has cute characters, fun gameplay, and features great strategy (remember those diamond blocks you could align in a row for bonus points? You really needed to think quickly to accomplish that feat). Crushing your enemies with ice blocks was strangely satisfying, and even a beginner could do reasonably well on one quarter. Pengo was awesome; it moves past Zaxxon to the next round.

The 2/15 seed match up features Defender and Star Castle. Star Castle is one of the first great video games. It's extremely simple; the graphics are limited but the gameplay is great. It's a preface to Yars Revenge, featuring a spaceship you must destroy which is protected by an energy shield made up of concentric circles. Funny that the creators used a Penthouse centerfold as the template for the constellation sequence in the background graphics (don't get too excited...you really have to use your imagination to see it). While Star Castle is a strong contender, Defender is one of the era's juggernauts, and one of the hardest fucking games ever programmed. In retrospect, I'm not even sure if it was fun. Defender is an abusive husband; you are its battered wife who comes back for more. After spending twenty bucks playing Defender you are compelled to say, "I am sorry I am weak; I will try harder, please don't give up on me." Your confidence is destroyed when you realize it doesn't give a shit about you or the humanoids you tried to save. Defender is tougher than you; it is that bully who transfers to your elementary school and immediately targets you for an ass kicking after school. You end up going home with your pants ripped and your money stolen, only to get ridiculed by your parents for embarrassing the family. Defender is a divorce lawyer, the IRS, and an unfaithful wife all in one. If you are the one agreeing to come to a hot young cheerleader's house for sexual intercourse, Defender is Dateline's Chris Hansen greeting you and asking you to have a seat at the kitchen table when you arrive. Defender to round 2.

OK, this completes round 1 of Bracket 1, the Starcade Bracket. Donkey Kong, Crystal Castles, Asteroids, Robotron 2084, Jungle Hunt, Gauntlet, Pengo, and Defender all make it to the second round. Check back soon when we examine the round 1 pairings and results for Bracket 2, the "Jeff Spicoli Bracket."

Tuesday, April 13, 2010

80s Movie Smack-Off (Part 10: Championship)

It's time for round 6 of the 80s Movie Smack-Off, the Championship! See parts 1-9 in previous posts for details on rounds 1-5. The winner of this round is the Smack-Off Champion. Let's examine the competitors and their respective seeds for the final match:

The Championship:
3. Airplane!
1. Caddyshack
Round 6 Result:

Here we go. Airplane! vs. Caddyshack to determine the best 80s comedy movie and complete the 80s Movie Smack-Off. Both movies have been reviewed thoroughly to this point, so let's skip to the chase: which one is the better movie? While it is VERY close, Caddyshack gets the win and takes the title. Airplane! is not far behind Caddyshack, being similar to it in many ways due to its star studded cast. But, if one looks at each facet within each movie, one sees that the comedic talent in Caddyshack is actually far superior to that in Airplane!. Chevy Chase, Rodney Dangerfield, Ted Knight, and Bill Murray are far funnier comedic actors than Robert Stack, Peter Graves, and Lloyd Bridges (though Leslie Nielson is on par with those in Caddyshack). Airplane! and Caddyshack are both unique in that the supporting cast carries the comic load rather than the main character (think about it: the main character in both Caddyshack (Danny Noonan) and Airplane! (Ted Striker) are really just straight men for the high jinks provided by supporting cast members). Even considering both movies' similarities, Caddyshack gets the win over Airplane! 65-59 and is named the best 80s comedy movie.

80s Movie Smack-Off Champion: Caddyshack


That completes the 80s Movie Smack-Off. Congratulations to Caddyshack, the last remaining movie and the one that can claim its rightful place as the best comedy to emerge from the 1980s! Check the bracket to the right for a final breakdown of the entire tournament.

Monday, April 12, 2010

80s Movie Smack-Off (Part 9: Final Four)

It's time for round 5 of the 80s Movie Smack-Off, the Final Four! See parts 1-8 in previous posts for details on rounds 1-4. The two winners of this round go to the Smack-Off Championship. Let's examine the remaining teams, their respective seeds, and the two match ups.

The Final Four:
5. Better Off Dead
3. Airplane!

1. Caddyshack
2. Sixteen Candles
Round 5 Results:

The first match in the Final Four is Better Off Dead vs. Airplane!. One is a seminal favorite that everyone has seen (Airplane!), the other is a bit more obscure but still relatively popular (Better Off Dead). Better Off Dead is undeniably the dark horse of the Smack-Off, as it beat some very tough competition along the way to the Final Four. However, its Cinderella story ends here: it doesn't quite have the firepower to beat the Airplane! juggernaut. Airplane! just has too much variety, and too great a cast. The final nail in Better Off Dead's coffin comes via the two jive dudes in Airplane!: "Hey... knock a self a pro, Slick! That gray matter backlot perform us DOWN, I take TCB-in', man!" Too perfect. Better Off Dead is easily one of the best 80s movies, and it did not just sneak into the Final Four. On a good day it might beat Airplane!, but nine games out of ten it would lose. Airplane! wins 74-66 and moves on to the Smack-Off Championship.

The second match in the Final Four is between top seeded Caddyshack and 2 seed Sixteen Candles. These are two different movies stylistically, but both are of course extremely funny. Few would be surprised that Caddyshack has come this far; Sixteen Candles' success is perhaps a bit of a shock. Sixteen Candles is by far the superior movie when considering all cinematic dimensions, but Caddyshack is just so great at what it does. The cast just plays off each other perfectly. For these reasons Caddyshack gets the win. Caddyshack is almost a genre in itself - it just rises above its competitors. Even considering that Caddyshack has a niche plot (i.e. golf) which many might not identify with, everyone can appreciate its shenanigans. Sixteen Candles made a great run to get this far, but Caddyshack secures the win by beating its foe 67-55. Caddyshack to the Smack-Off Championship.

Alright, this is it...we've narrowed the field of 64 down to two movies: Airplane! and Caddyshack. Check back soon for round 6 of the Smack-Off for the final entry: the Championship.

Thursday, April 8, 2010

50 Things I Love about Golf

The Masters has begun at Augusta and the Snoutbagger has been glued to the television.

I love everything about golf. I love watching it. I love playing it. I love the excitement of preparing to go to a golf course to play a round. I love getting the bag out, cleaning the spikes, and packing the cooler - all are rituals that signify a long day on the links. I love the way golf shoes feel when walking from the parking lot to the club house. Strapping the clubs to the back of the golf cart, putting the glove on, rustling the tees in your pocket - all are rites one performs regardless of where one plays.

Every golfer knows that a round of golf has a feel that changes as you play the course. The first tee is daunting, and duffers know the fear that comes with the drive off the first tee box: just make contact and hit it down the middle...just...make...contact. The third hole feels different from the first two. At this point one is warmed up, and weekend warriors wish they could hit reset to erase the two double bogies on holes 1 and 2. The 5th hole is even more sobering. It is here that you realize you won't be playing anything near scratch golf today. This is the point where many stop keeping score. It is also the point when you take a deep breath and focus on why you are playing in the first place - to be with friends, and to escape the monotony of daily life. That feeling trumps all other disappointments that accompany a golf course.

Yes, I love golf, even considering my 18+ handicap. While watching the Masters I began to think about all the reasons I love the sport. Here are more things I love...

50 things I love about golf...

1. The way the grass smells different in the morning than in the afternoon.

2. The way a ball sounds rolling around in the golf cart.

3. The way a new glove feels when putting it on.

4. How the sun moves across the sky as you wind through the course.

5. How wonderful a 250 yard drive feels, and how consistently elusive it is.

6. How only 3% of golfers actually use the seed containers attached to the golf cart to cover their divots.

7. How a ball feels after a scrub in a ball washer.

8. How pulling out and putting back clubs in the bag is way harder than it should be.

9. How everyone has that 3 iron they can't hit well, yet still use it for 25% of their shots.

10. The sound the flag stick makes when dropped onto the green.

11. The beer chick and all her wonderful sundries.

12. How golf bags only have 2-3 pockets yet that tee or ball you need is always in the last place you look.

13. Hitting the sweet spot on a club so that the ball just jumps off the clubface.

14. Those puffy lies 10 yards off the green that allow a wedge to effortlessly lift the ball 70 degrees into the air and onto the green.

15. Getting a serendipitous bounce off a cart path.

16. The quiet desperation one feels looking for a lost ball while knowing a foursome looms behind.

17. Those right-to-left 20 foot putts that trace right to the middle of the hole.

18. How you don't truly believe you hit into the water until actually seeing the ball in the pond.

19. Cleaning the mud off the grooves of a wedge with a tee.

20. A blind sand save that collapses and dies two feet from the hole.

21. How the Vardon grip is ridiculous and perfect all at the same time.

22. The way a driver's shaft vibrates after tapping the bottom of the head on the ground.

23. How a tee can jump out of the ground after a drive and end up 5 feet behind you.

24. Hitting a 9 iron to a green that is 100 yards away and 20 feet above.

25. Hitting a bump-and-run too fast off the curtain of the green only to have it hit the middle of the flag stick and fall into the hole.

26. How one can drink 18 beers on the course and somehow still feel sober.

27. All the different shades of green that define a golf course.

28. How one can spend $150 at a golf course without noticing it while a $100 dinner tab makes one feel like they were punched in the stomach.

29. Hitting a 210 yard second shot with a fairway wood and rolling the ball onto the front of the green.

30. The way the ball sounds when rattling in the hole.

31. Fading a ball around a tree on a right dog leg onto the green.

32. How being stuck behind a slow group is much less stressful than being in front of a fast group.

33. Stopping to have lunch at the clubhouse before teeing off on the back nine.

34. How the roof of a golf cart offers absolutely no protection from getting wet when driving in the rain.

35. The inevitable awkward interchange between you and the foursome ahead after hitting into them without yelling "fore."

36. Hitting the pin after a smooth 7 iron shot.

37. Thinking you've lost a ball in the rough only to find that it squirted through and lies 20 yards ahead in the fairway.

38. How a 5 iron seems to be the perfectly balanced club for loft and distance.

39. Those perfect second shots out of the rough that save a chance at par.

40. How one birdie erases the memory of 100 double pars.

41. The way a soft green feels when walking across it.

42. The way a pitching wedge can make a ball bite beyond the hole only to slide back toward it.

43. When you have to choose between an 8 and a 9 iron - the longer iron being the correct alternative - and you know it and choose correctly.

44. Hooking a ball into the trees only to have it carom perpendicularly back to the center of the fairway.

45. The way the sun bakes one's arms and face toward the end of a round.

46. The slight melancholy that accompanies the final three holes.

47. Taking a few minutes to relax in the golf cart before the 18th tee.

48. Deciding to play another 9 holes before the sun goes down.

49. The quiet ride back home, when everyone is tired and content just to sit in silence.

50. The nineteenth hole.

Wednesday, April 7, 2010

80s Movie Smack-Off (Part 8: Elite Eight)

It's time for round 4 of the 80s Movie Smack-Off, the Elite Eight! See parts 1-7 in previous posts for details on rounds 1-3. We'll complete all of round 4 here. The winners of round 4 go to the Final Four. Here's the eight remaining teams and their respective match ups and seeds.

Bracket 1 (Haim/Feldman Bracket)
5. Better Off Dead
6. Police Academy
Bracket 2 (Gag Me with a Spoon Bracket)
1. Fletch
3. Airplane!
Bracket 3 (B. A. Baracus Bracket)
1. Caddyshack
2. Weird Science
Bracket 4 (Rocky Dennis Bracket)
1. National Lampoon's Vacation
2. Sixteen Candles
Round 4 Results:

The final match of the Haim/Feldman Bracket features two underdog movies, 5 seed Better Off Dead and 6 seed Police Academy. Each are worthy opponents. Better Off Dead is this tournament's dark horse. It is doubtful that many would have seen it coming this far. Police Academy was a big hit in the theaters, so its success to this point is not as surprising. While Police Academy is one of the best 80s comedies, Better Off Dead simply encompasses everything about the 80s into one movie. It's a guy gets girl story, it has all the dumb shenanigans that Weird Science or Sixteen Candles has, and it has a great cast of characters, all of whom mesh seamlessly together. Because of this, Better Off Dead beats Police Academy 65-61. Believe it or not, Better Off Dead is going to the Final Four.

The last match in the Gag Me with a Spoon Bracket is between Fletch and Airplane!. These movies are seminal examples of the 80s, and each is extremely funny. They're not in the Elite Eight for nothing. Chevy Chase in Fletch is fantastic. But Airplane! features Lloyd Bridges, Robert Stack, Peter Graves, and Leslie Nielson. What a coincidence that both movies have Kareem Abdul Jabbar! Airplane! wins this match in double overtime, because of its variety of actors and sketches that provide a bit more of a complete palate than does Fletch. Fletch is better as a serious movie than Airplane!, as it has a pretty good plot that doesn't distract from the comedy. But, the Smack-Off seeks the best 80s comedy, and Airplane! just has a bit more of what we expect. Fletch is the second #1 seed to fall in the Smack-Off: Airplane! wins this bracket and moves on to the Final Four.

The final match in the B. A. Baracus Bracket is between Caddyshack and Weird Science. Both these are heavy hitters, as their seeding implies (#1 vs. #2). It's no surprise that these movies meet here, as each is extremely funny. Weird Science is much more indicative of the 80s lifestyle than is Caddyshack. This is because Caddyshack was released in 1980, and is really more a reflection of America in the seventies. But, it is an 80s movie by definition. Caddyshack might be the single most recognizable movie for men between the ages of 25 and 45. Every dude loves Caddyshack. Weird Science, though awesome in every respect, really only enjoys a cult following at this point in time. That's strange, since Weird Science was bigger at the time of its release than was Caddyshack. Each of these movies is a worthy contender for the Final Four, but Caddyshack gets the win. Its stellar cast is too strong, and its reputation as one of the best comedies ever simply launches it past Weird Science. Sorry John Hughes, you don't win this round. Caddyshack to round 5.

The final match in the Elite Eight is between Vacation and Sixteen Candles, the 1 and 2 seeds of the Rocky Dennis Bracket. John Hughes will get a Final Four representative after all! This is the toughest match of the Elite Eight, next to Fletch and Airplane!. Both Vacation and Sixteen Candles are perfect movies. Nothing could improve them. Vacation absolutely nails the typical lifestyle of an 80s suburban family, and Sixteen Candles absolutely nails 80s teen life in high school. So, which is the better 80s comedy? It is very tough to call, but Sixteen Candles has a slight edge on Vacation. But boy do you need a microscope to see that edge. Sixteen Candles has more charm and is a bit more multi-dimensional than Vacation. Sixteen Candles is a better "feel-good" movie too. Vacation is easily one of the best movies of the decade, or any decade, but Sixteen Candles marches on to the Final Four.

That completes the Elite Eight. Better Off Dead, Airplane!, Caddyshack, and Sixteen Candles are in the Final Four! Check the bracket to the right for a recap of the entire Smack-Off, and visit The Snout Bag soon to see how the Final Four breaks down. We're getting very close to discovering the best 80s comedy movie...

Tuesday, April 6, 2010

How to Tell if You Have Bad Taste in Music

The Snoutbagger loves music. I am an audiophile in the truest sense of the word. And, my musical taste is quite varied, ranging from classical, jazz, rock, and pop music across the decades. My only criterion for music is this: that it is good. I don't care if it's a three minute bubblegum pop song or a forty minute progressive rock opera, as long as it has great musicianship, a solid melody, and is genuine in its attempt at being a work of art, then I appreciate it.

I often think about all the shitty music that is produced today and consumed by the masses. The Turd has been ranting about this the past few weeks, so I thought I'd throw my hat in the ring.

It's not that bad music is unique to this era. I recall going to people's houses twenty years ago and thinking "what shitty taste in music this person has" while perusing their CD collections. This especially became evident when going to college and seeing everyone's music collection. Every dipshit in my dorm seemed to own The Steve Miller Band's Greatest Hits and Bob Marley Legend (and often little else). When I saw this I immediately knew they were posers and had no individual music taste. In the 90s, one knew exactly who you were if you owned CDs by popular "artists" such as Boys II Men, Jesus Jones, or Lenny Kravitz: a slave to fashion.

For those of you who are wondering if being a slave to fashion is a bad thing, consider this quote by Oscar Wilde:

Fashion is a form of ugliness so intolerable that we have to alter it every six months.

Some of you may be shivering in your boots, not being certain if you are one of the slaves Oscar and I are referring to. Well, I have made it easy on you; I've compiled a list of 20+ albums that epitomize the mediocrity of the music industry over the past two decades. There are other examples out there, but these are some of the most popular examples of crappy contemporary music.

You may not know that you have poor taste in music, so I created a simple formula you can apply to yourself to discover your level of music integrity. Here's what you need to do:

Below is a list of some of the shittiest albums released over the past few years. I provide a short description about why it sucks. For each of the following records you own, give yourself 1 point. Then, total all points and use the legend at the end of this entry to see where you stand. Before you begin, give yourself 1 point if you only listen to music on an iPod, and 2 additional points if you do not own CDs or records but rather download all your music over the internet.

Here's the list. Remember: 1 point for each one you own:

Green Day - American Idiot

This is one of the better albums on this list (relatively speaking of course). Green Day is a great band to use as a barometer for someone's musical taste. They are supposed to be punk, but they aren't. They're supposed to be angry at society, but they're not. What they are is your basic corporate sponsored boy band that fits a niche. They have a few decent songs, but overall they are a shitty, overrated band.

Rihanna - Music of the Sun

Rihanna emerged a few years back, and quickly became one of the most recognizable figures in hip hop. She is a perfect example of a semi-decent singer who obviously got a record deal because of her looks. If an artist is as interested in fashion as they are in music, beware. This always means they are products of the music industry. Rihanna got beat up by her boyfriend; maybe that will inspire her to actually write her own songs.

Pussycat Dolls - PCD

The latest in the unending cycle of corporate all-girl bands are the Pussycat Dolls. They are so ridiculously bad it should be obvious to anyone. Their target demographic seems to be tweens and 40 something single men. Musically, it is not even worth discussing why such songs as the 2005 release "Dontcha," are horrible. The Pussycat Dolls are a perfect example of why America can really suck the big one from time to time.

Nickelback - All the Right Reasons

Nickelback is the ultimate poser band. They're sort of like Winger was in the 80s. They're the band you can use to determine who the pussies are regarding music fans. They have a few decent songs (meaning they have pleasant melodies), but they are overly sentimental and sappy for the most part. The fact that Chad Kroger thinks he's tough is laughable, and they are simply embarrassing as a legitimate music act. Check this YouTube clip for an example of how some fans treat them.

Lauryn Hill - The Miseducation of Lauryn Hill

Lauryn Hill has to be one of the worst artists ever. For some reason this album was seen as a masterpiece concept album when it was released in 1998. It won 5 Grammys and was named album of the year. Deplorable as it is unlistenable. The hit song Doo Wap (That Thing) has to be one of the worst singles ever recorded. Hill was a child actor, the first evidence that she is not an artist but rather someone who wanted to be famous. It's funny how the best music artists don't really find themselves dabbling into other genres. There's a reason for that: because those that do are not artists but rather performers. It is also ironic how hip hop records fade into obscurity after their time in the sun. See the previous Oscar Wilde quote for why that is.

Alicia Keys - Songs in A Minor

Alicia Keys is a perfect example of a barely talented musician who made it big due to her good looks. She is not a very good piano player, especially when comparing her to any jazz pianist or even most rock keyboard players. She gets along OK playing chords and has a few things memorized (like the runs she sometimes plays). She is credited for writing many of her songs, which is a bonus. This might mean something if the songs weren't so crappy.

Enrique Iglesias - Enrique

Enrique Iglesias gives new meaning to nepotism. He's basically another product of the industry, getting a head start because of his father's reputation in Latin America. Enrique has an acceptable voice I suppose though it is overly throaty and sugary, but his music is atrocious. "Bailamos" was his break-through single which crossed him over to the mainstream American music scene. He followed with "Hero" and...well that's about it in America. His music is over produced and processed. It's like bologna. If he wasn't good looking he'd be selling Chiclets at the border rather than cashing checks.

Maroon 5 - Songs About Jane

Maroon 5 is the worst band to emerge in the 2000s, hands down. They represent the worst of everything music has become (with the exception of rap and hip hop). The only thing they have going for them is that they actually play their instruments (as far as I know). The singer's voice is intolerable and the songs are uninspired. I have no idea why anyone over the age of 14 would buy one of their albums.

Mary J. Blige - The Breakthrough

Mary J. Blige is a perfect example of all hip hop music. It's a carbon copy of everything else. She's just a singer, and her music appeals to the most basic human emotions. She epitomizes the warbling and out-of-control singing style that many females have taken to (I blame Mariah Carey for this phenomenon). I am not certain why many think she is so good. Mary J. Boring.

Color Me Badd - C.M.B.

This atrocious band scored the hits "I Wanna Sex You Up" and "I Adore Mi Amore" in the early 90s. They represented the worst of the culmination of the late 80s R and B pop music by white musicians. Color Me Badd's blatant sexuality is symbolic of the newest generation leaving decorum and integrity in the rear view mirror of society's evolutionary vehicle.

Dave Matthews Band - Crash

Sorry Dave, I realize you are by far the best band on this list, and that you have a huge fan base. I also apologize because on the face your music really should appeal to me. You have a talented band, you write your own stuff, and you are decent live. However, you just haven't really created anything that GOOD! I have tried to like the Dave Matthews Band, but I just can't. The Dave Matthews Band is like that girl you were good friends with in high school, the one who made perfect sense for you to be with because she was loyal and smart, and the one that you simply weren't physically attracted to in the least. DMB is easily one of the most overrated bands in the industry.

Matchbox Twenty - Exile on Mainstream

Crapbox Twenty (as the Turd calls them) is another good example of a contemporary band that really isn't that good. I never understood the fascination with Rob Thomas. Does he have a great voice? No. Does he rip on some instrument? No. So, what gives? Matchbox Twenty, together with bands like Smashmouth and Sugar Ray signify a weird trend the music industry experienced in the late 1990s. The industry seemed to be turning its attention back toward real bands with real musicians. But, those "real" bands just weren't that good. They had a few "hits" and then disappeared. Notice how Billy Joel and Elton John didn't have a three-year run only to fade away? I wonder why...

Usher - Confessions

Songs from this album were played and played and played on MTV and in sporting arenas everywhere. Terrible. Next time you hear a song from this album, focus only on the music and not the voices. A three year old could program a better background track. Listen to the synthesizer intro on the song "Yeah" (inspired name, huh?). Couple that with Lil Jon screaming in the background and you get one of the simplest and most mindless recordings ever. Now THAT is an awesome riff. Great stuff Usher. Beware artists who rely on their abs to sell records.

Creed - Human Clay

Creed suffers from the same disease that Nickelback suffers from. They try too hard to be a meaningful band and in doing so fall flat on their face. What's worse is that Creed is far inferior to Nickelback. The fact that the lead singer wrote a song to his unborn son places them smack dab in the middle of the gayest bands of all time. They mostly appeal to chicks (I hope), and they are basically Christian rock and rollers. Let's not get into why that crowd sucks.

Destiny's Child - The Writing's on the Wall

En Vogue, I mean Destiny's Child is the end result of music business cattle calls that sought to find the most promising - and good looking - young black women performers. As with all groups who try to look good first and sound good second, the music is mostly forgettable. Beyonce and Kelly Rowland can sing a little, can act a little, and are both easy on the eyes. Neither write their own stuff nor play any instruments. They just sing other people's stuff. It's also interesting how these types of groups never last long. They are designed with a formula in mind. Pump out a few albums, tour a bit, and then dismantle the band so that its stars can make more money making movies. Funny how I never mentioned the quality of the music in this formula.

Black Eyed Peas - Monkey Business

While the Black Eyed Peas' album Elephunk is actually listenable, Monkey Business shows how they have become one of the worst mainstream acts to date. Why? Because this little record has a song called "My Humps" which must be considered the worst song ever recorded. Yes, the worst. They are beyond shitty live, bouncing about and shouting off key (when there even is a key). They in many ways represent the reason music sucks today: their music is an amalgamation of all sorts of genres, and together it basically sounds like shit.

Mariah Carey - Daydream

Mariah Carey is revered by many because of her multiple octave range. Beyond that, I defy you to name one of her songs that is really any good. The fact that she recently surpassed the Beatles with more #1 hits than any recording artist in history is so astonishing I can't even speak. There is obviously no accounting for taste in America. There is one or two of her early songs that are OK...but most of her stuff is really bad. To top it off, many of her hit songs are COVER tunes. That shouldn't be allowed.

Limp Bizkit - Chocolate Starfish and the Hot Dog Flavored Water

The only thing good about Limp Bizkit is the name of their albums. Chocolate Starfish and the Hot Dog Flavored Water is a legitimately funny name, albeit gross as fuck. Fred Durst though is a no talent turd who somehow found a niche in the music industry. Notice that nobody talks about him anymore. No one listens to Limp Bizkit either. Why? Because they sucked then and still still suck now.

Toby Keith - Unleashed

Toby Keith is one of the biggest assholes on the planet. He is uber-patriotic, pro-America, and anti-terrorist. He is an ironic figure because people like him are the exact reason why we are attacked by terrorists in the first place. He epitomizes the ugly American. Beyond this fact, if you can't see that songs like "Beer for my Horses," "Courtesy of the Red, White, and Blue," and "Stays in Mexico" are crap, you probably are part of the reason why the rest of the world hates us too.

Janet Jackson - Janet

Janet Jackson is sort of a lesser version of Mariah Carey. Jackson doesn't have nearly the natural talent as Carey. I'm not certain if her songs are worse than Carey's or just as bad. Jackson is another product of the music industry. She's done some singing, some acting, and some performing. Her lame attempt to be big at the Superbowl (her "costume malfunction) pretty much sums up the quality of her career.

Kanye West - Late Registration

Horrible. Absolutely horrible. I do not understand Kanye West's success. He has to have sold his soul to the devil. The only good thing about him is that he regularly shows how much of an idiot he is on camera. I have never seen a better modern day example of the Emperor's New Clothes than Kanye West. I refuse to believe that there is one person on this planet who actually thinks he is good deep down.

Justin Timberlake - FutureSex/LoveSounds

Justin Timberlake is the male version of Beyonce Knowles. Just read the previous entry for Destiny's Child and insert Timberlake's name where you see Beyonce's name, and 'N SYNC when you see Destiny's Child.



Gwen Stefani - Love. Angel. Music. Baby

Something happened to Gwen Stefani after she left No Doubt to begin a solo career: there was "no doubt" that she sucked. Songs like "Hollaback Girl" elevated her to a new level of mediocrity. If you own one of her albums, you probably don't like this Snout Bag posting very much.

Fergie - The Dutchess

Fergie is really bad, and the more exposure she gets the more one can realize this. She doesn't sing particularly well, and she is way overexposed. She is a classic example of the narcissism that defines the music industry today. This is especially evident in contemporary Black music, but has come to define all current music. Fergie's song "Fergalicious" is a perfect example of this. What happened in music where artists felt compelled to sing about themselves and how awesome they think they are? How embarrassing.

50 Cent - Get Rich or Die Tryin'

50 Cent gained fame at the time of his debut record release thanks to a intensive marketing campaign about him being shot earlier in life. Get Rich or Die Tryin' is your typical rap album, no more, no less. It sucks for the same reasons most rap albums suck: it's indulgent, narcissistic, cliched, and mindless. Wow: another rap album about how it sucks to be Black and on the street and guns and dope and chicks and and blah blah blah. What a broken record. I can't believe society isn't through with rap yet. What blight on Black culture in America.

Ricky Martin - Ricky Martin

The last album on this list is Ricky Martin's 1999 eponymous release. I really hope you don't own this. It is so ironic, fitting, and any other adjective you can think of that he is gay (shocking). It is somehow satisfying to think about all the dumb girls who thought he was something 10 years ago and what they must think now. Who cares about his sexual orientation though. That has nothing to do with why this album sucks. Awesome lyrics: "She'll push and pull you down, livin la vida loca...her lips are devil red and her skin's the color mocha...". Her skin's the color mocha? Is that the best they could do?

Scoring
 
Calculate your score based on the previous instructions (1 point for each of album owned). Then, use the table below to find out if you have bad taste in music or not:
 
0-2: Acceptable amount of shitty music owned, but only if this number represents less than 5% of your music catalogue. If you own The Miseducation of Lauryn Hill and a Maroon 5 CD, you better have about 50 other albums not on this list.

3-4: Unacceptable amount of shitty music owned. If this number is anything but 1% of your overall catalogue, you might not be a music idiot, but you are definitely the kind of person who says things like "raise the roof" or "holla at ya boy." If you are a guy you likely lift your shirt to expose your abs when people take your picture. If you are a girl you likely attempt to make gang signs with your hands when people take your picture.

5-7: You have poor taste in music. The only thing that might save your cause is that you simply do not really listen to music much, and your music collection has been given to you by others.

8-10: You are a slave to the music industry, consuming whatever the mainstream media tells you is good. You likely watch TV shows like Tyler Perry's House of Payne, American Idol, and Access Hollywood.

11+: You do not have any taste in music. You are part of the problem. You have no genuine notion of what art is, or what constitutes quality. By owning and listening to this many artists on the list you obviously follow every fashion trend that exists. Listen to me when I tell you that there is a world out there that you know nothing about, that there are things you will never be able to comprehend, and that there are people who laugh at you behind your back. The best way to describe you is with an analogy: You are to those with sophisticated taste in music as a chimpanzee is to the human species. I say this with no guile or exaggeration.

Sunday, April 4, 2010

80s Movie Smack-Off (Part 7: Sweet Sixteen)

It's time for round 3 of the 80s Movie Smack-Off: the Sweet Sixteen! See parts 1-6 in previous posts for details on rounds 1 and 2. We'll complete all of round 3 here. The winners of round 3 go to the Elite Eight. Let's review the remaining movies and their respective match ups and seeds:

Bracket 1 (Haim/Feldman Bracket)
1. Revenge of the Nerds
5. Better Off Dead

6. Police Academy
2. The Money Pit
Bracket 2 (Gag Me with a Spoon Bracket)
1. Fletch
13. Summer School

3. Airplane!
2. The Naked Gun
Bracket 3 (B. A. Baracus Bracket)
1. Caddyshack
13. Amazon Women on the Moon

14. Bachelor Party
2. Weird Science
Bracket 4 (Rocky Dennis Bracket)
1. National Lampoon's Vacation
5. Raising Arizona

3. Ferris Bueller's Day Off
2. Sixteen Candles
Round 3 Results: Haim/Feldman Bracket

The first match in the Sweet Sixteen is between Revenge of the Nerds and Better Off Dead. It's obvious how far we are into the tournament, because each of these movies is quintessential 80s. Each are similar in that they are really silly and pure comedies. Some may consider it an upset, but Better Off Dead gets the squeaker win here. Why? Because it just has a few more weapons in its arsenal (but only a few!). Think about when Lane Myers is forced to date Joanne Greenwald (Rima Delane), his Dad's business partner's daughter. That date goes well. Or how about the Asian dude who talks like Howard Cosell? The cartoon segments in Better Off Dead are great too. Nerds is completely awesome and may have gone further in the Smack-Off if it were in a different bracket, but Better Off Dead simply has too much. Better Off Dead wins, 58-56.

The match between 6 seed Police Academy and 2 seed The Money Pit isn't nearly as close as the previous one. And, the result is not as the seeding would imply: this match is an upset. The Money Pit is not nearly as great as Police Academy. Police Academy has more 80s style shenanigans, and represents more of what one would expect from an 80s comedy. How about Larvell Jones, the Black dude who can make all the sound effects with his voice. Classic. Or George Martin, the Latin playboy who fakes his smarmy accent to get chicks. Yes, Police Academy is fantastic. It was so good it spawned about 100 sequels, none of which are as good but funny in their own ways (Lt. Mouser in Police Academy 2 is awesome). The Money Pit is very good, just not good enough. Police Academy to the Elite Eight.

Round 3 Results: B. A. Baracus Bracket

The first match of this bracket is between 80s favorite Fletch and Summer School. Summer School, a 13 seed, shockingly blazed into the Sweet Sixteen. The dance is over for it though, because while it deserves to come this far, it just can't compete with Fletch. Fletch is too polished, and better in almost all aspects. Fletch is Chevy Chase's tour de force, and has so many memorable lines. Summer School has nothing to feel bad about - it is one of the best little gems of the 80s . But, it doesn't have what it takes to be considered the best 80s comedy. Fletch beats Summer School, 74-68.

The next match is between 3 seed Airplane! and 2 seed The Naked Gun. Yikes. How can one of these movies go down? This is easily one of the closest matches in the entire Smack-Off. Each features Leslie Nielson, and each is great from start to finish. Both these movies are very similar in their brand of humor - both extremely silly and ridiculous. Airplane! gets the final shot off with a second on the clock...the ball hits the rim...rattles around...and drops through the bucket! Airplane! wins here by 2 points, and narrowly escapes to round 4. It's sad to see The Naked Gun fall here, but Airplane! wins because of its unreal cast. There are more funny actors in Airplane!, and it accomplishes just a bit more of what The Naked Gun attempted to do.

Round 3 Results: Gag Me with a Spoon Bracket

This match is between #1 Caddyshack and upstart sleeper #13 Amazon Women on the Moon. Amazon Women crushed its previous opponents and surprised the field by making the Sweet Sixteen. It really is an awesome movie. If you like stupid humor, it is for you. Caddyshack is pretty much the same though. It has plenty of stupid funny moments. This is a tough match to call. However, Caddyshack pulls through and secures the win. Amazon Women is fantastic, but Caddyshack just features to many all-stars (Ted Knight, Rodney Dangerfield, Chevy Chase, Bill Murray). Everyone knows lines from Caddyshack, and its popularity is well deserved. Caddyshack to round 4.

14 seed Bachelor Party and 2 seed Weird Science round out bracket 3. These are both great movies and offer a compelling match. They are a bit different, with Bachelor Party perhaps appealing to just a slightly older demographic than Weird Science. Weird Science gets the win here though, as it is much more original, zany, and overall funnier. Bachelor Party has great moments, but the plot gets a bit stale. Weird Science is another John Hughes favorite and really represents the era perfectly. Anthony Michael Hall is awesome, and Kelly LeBrock does a decent job too. You just have to love her accent - it made her that much hotter ("I'm taking Gary to a pah-tee"). Weird Science is great...it moves on to the Elite Eight.

Round 3 Results: Rocky Dennis Bracket

The first match of the Rocky Dennis Bracket is between 1 seed Vacation and 5 seed Raising Arizona. Sheesh. This is a close one. Vacation represents yet another of John Hughes' seemingly endless examples of 80s comedy gold; Raising Arizona is a masterpiece as was discussed in previous rounds. It was decreed that the only way Raising Arizona could lose the Smack-Off was if it ran into a movie that was as funny and more indicative of the era. Unfortunately, Vacation is just that movie. Yes, Vacation gets the win here, in triple overtime, because it is as funny, and definitely represents the pinnacle of 80s comedy. If the tournament was a Smack-Off to determine masterpiece cinema, Raising Arizona would bury Vacation. But, this Smack-Off seeks the best 80s comedy, and all things considered, Vacation is just great and slightly edges out Raising Arizona.

The final match of the Sweet Sixteen is between Ferris Bueller's Day Off and Sixteen Candles (what a shock, TWO more John Hughes movies). Each are of course great, and each indicative of 80s teenage life. Sixteen Candles is a bit more realistic, as Ferris Bueller gets a bit out of control at times (Ferris singing on a parade float? And why is there a parade on a weekday in Chicago?). Sixteen Candles gets the nailbiter win here, as it is just so charming and somehow rides the fence perfectly between being a genuine romance and ridiculous side splitter. Long Duck Dong, Bryce, and Ted are too much for Ferris. Sixteen Candles just has more of what made 80s comedies great, and is perfect in every way. Sixteen Candles to round 4.

That completes the Sweet Sixteen! Better Off Dead, Police Academy, Fletch, Airplane!, Caddyshack, Weird Science, Vacation, and Sixteen Candles all move on to the Elite Eight. Check the bracket to the right for a review of the brackets as they now stand. And, check back soon for the Elite Eight match ups as we move closer and closer toward crowning the best 80s comedy movie!